The Sacred Images Project

The Sacred Images Project

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The Sacred Images Project
The Sacred Images Project
Defend us in the day of battle: the Archangel Michael in Christian art

Defend us in the day of battle: the Archangel Michael in Christian art

A paid subscribers post, a preview for an upcoming deep dive mini-course

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Hilary White
May 13, 2024
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The Sacred Images Project
The Sacred Images Project
Defend us in the day of battle: the Archangel Michael in Christian art
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St. Michael the Archangel, weighing the souls of the risen dead on the Last Day. Hans Memling, the Last Judgment. Late 1460s.

SANCTE Michael Archangele, defende nos in proelio, contra nequitiam et insidias diaboli esto praesidium. Imperet illi Deus, supplices deprecamur: tuque, Princeps militiae caelestis, Satanam aliosque spiritus malignos, qui ad perditionem animarum pervagantur in mundo, divina virtute, in infernum detrude. Amen.

The image of the Archangel Michael has ancient roots, reach into the earliest centuries - and events - in Christian history. After Christ and the Theotokos, St. Michael the Archangel is near the top of the list of most depicted figures in Christian art both east and west.

This artistic presence reflects his significance in Christian belief. He's not just a heavenly warrior, but a powerful protector, a leader of angels, and a key figure in the battle between good and evil. By depicting him in art, Christians have sought to not only honour him but also to visually embody the heavenly battles and divine justice he represents.

Byzantine icons typically portray him with stern features and large wings, often trampling a serpent, representing Satan. In Western art, he might be a knight in shining armour or even carry the instruments of Christ's crucifixion. Beyond the warrior, Michael is also depicted as a weigher of souls, symbolizing his role in the Last Judgement. Whether wielding a sword or balancing scales, Michael's artistic legacy reflects his multifaceted nature as a protector, defender, and symbol of divine justice.



This post is for paid members. If you’d like to join us in our investigation of the history of this remarkable Christian image, you can subscribe here.

The Sacred Images Project is a reader-supported publication where we talk about Christian life, thought, history and culture through the lens of the first 1200 years of sacred art.

You can subscribe for free to get one and a half posts a week. For $9/month you get a weekly in-depth article on this great sacred patrimony, plus extras like downloads, photos, videos and podcasts (in the works), as well as voiceovers of the articles, so you can cut back on screen time.

The Sacred Images Project is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

Today’s featured work is this figure, a detail from a painting I did illustrating Psalm 83, Quam dilecta. The original was egg tempera and gold leaf on a gesso panel. I’ve got him in the shop here as a print on a wood panel that imitates the style of a classic Byzantine icon. But if you prefer you can have him on paper or canvas as well. Drop me a DM if interested.
If you’d like to see more of my painting and drawing work, and maybe order a print or other item you can find it here:

Hilary White; Sacred Art Shop

If you’d like to set up a monthly patronage for an amount of your choice, you can do that here. If you sign up for more than $9/month, you get a complimentary paid subscription to the Sacred Images Project.

Hilary White; Sacred Art



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