The Sacred Images Project

The Sacred Images Project

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The Sacred Images Project
The Sacred Images Project
Duccio's Maestà: you open a door and walk into the golden court of heaven
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Duccio's Maestà: you open a door and walk into the golden court of heaven

Original photos and video of the most magnificent medieval painting I've ever seen

Hilary White's avatar
Hilary White
Jul 29, 2024
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The Sacred Images Project
The Sacred Images Project
Duccio's Maestà: you open a door and walk into the golden court of heaven
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The saying, “Photos don’t do it justice” doesn’t do justice to how much photos don’t and can’t do it justice. To start with, the central figure of the Virgin looks larger than life because all the figures around her are scaled smaller.

Exemplar of the Sienese Gothic, the Trecento

We are used to hearing, “Oh, the photos don’t do it justice,” but this is doubly true for the Maestà (“Majesty”) by Duccio di Buoninsegna, whose use of Byzantine and Gothic effects give it an impact like no other painting I’ve yet seen.

First, the size of it bowls you over - it’s 4 metres long (over 13 feet). Then the incredible brilliance of all that gold leaves you breathless. You come in out of the heat and glare of a Sienese summer morning, and the room is dark and very cool and quiet and totally dominated by the enormous painting and it’s almost a shock. You are confronted with this glittering assembly of heavenly figures, many of their gentle faces looking out at you, as though you have somehow stumbled across some threshold into a room where Heaven is holding court.

In the high tourist season of mid-July you are never alone with it, but you feel you might as well be; no one is talking, even in whispers, in its presence.

We don’t need to characterise it as “Early Renaissance” as it’s often described. At this site we work from the proposal that the so-called Florentine "Renaissance" was not, contrary to popular notions, the ultimate cosmically-ordained teleological end of all art, to which and from which all roads converge.

No, this painting is the Sienese Gothic Trecento1, in distilled form, one of the most celebrated works of medieval Italian art. Painted between 1308 and 1311 for the high altar of the Duomo of Siena, this monumental altarpiece represents the absolute pinnacle of medieval Sienese painting.


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The Sacred Images Project looks at art history and culture through the lens of the first 1200 years of Christian sacred art.
If you would like to accompany us into a deep dive into these spiritually and culturally enriching issues, to grow in familiarity with these inestimably precious treasures, I hope you’ll consider taking out a paid membership, so I can continue doing the work and expanding it.

This is my full time work, but it is not yet generating a full time income. I rely upon subscriptions and patronages from readers like yourself to pay bills and keep body and soul together.

You can subscribe for free to get one and a half posts a week. For $9/month you also get a weekly in-depth article on this great sacred patrimony, plus extras like downloadable ebooks, mini-courses, high res images, photos, videos and podcasts (in the works).

The Sacred Images Project is a reader-supported publication which means there are no annoying ads or pop-ups, but it also means there is no advert revenue to keep us going. To receive new posts and support my work, please consider becoming a free or paid subscriber. It’s just $9/month.

You can also set up a monthly patronage for an amount of your choice at my studio blog. Anyone starting a patronage for $9/month or more will get a free paid subscription here.

Hilary White; Sacred Art

You can also take a look at some of my drawing and painting work. Today’s featured drawing from the shop is “Christus Patiens”, my own rendition of a corpus in the style of 13th century Umbrian style panel crucifixes. Graphite on paper. You can order a high quality art print of it and other items at my shop.

Christus Patiens print

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NB: this post is likely going to be truncated if you receive it in a Gmail account. So click the link at the top if you want to see the whole thing, to read it on the website in your browser.

The Maestà is so enormous, so magnificent and important in its pivotal position in the history of medieval art, so full of detail and meaning in every aspect, as well as physically so large in proportion and complexity, with its many narrative small panels, that we’re going to have to split this up into multiple posts.

So get ready to spend a little time in 14th century Siena.

Best get to it…

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